I love this idea

I want a continuation of the Harvey Birdman Jetsons

So good!

The Jetsons was the only one I wasn't that impressed with. It was good, but compared to Flintstones and Snagglepuss, it just doesn't hold up. Was cool to get an explanation of their housing/why we never see the ground though

Exit Stage Left the Snaglepuss Story is also a phenomenal examination of McCarthism and its effects on the theater industry and I'm not even joking

What do you mean he was there the whole time?

Is that just a side effect of there being more awards now though?

What a reboot means in fiction has a firmly established definition.

I agree that it isn't the ideal term, it should have been a better one, but it is the one that stuck.

The new show is definitely not a reboot or remake. Though obviously it's not a revival either. Whether it will be a re-imagining can't be ruled out yet, but everything announced about it so far points to a straight-up sequel.

I liked the chaotic energy Black brought. Browser was a bit stiff.

Where's Poochie?

I hadn't thought about that but it is different.

It's got to be cyclical. How many places have you got a group of people who are routinely together? Work, family or friends. And if they are friends, it's a little easier if some of them are roommates.

Seinfeld stands out because it's a friends show, without them being roommates.

https://www.ign.com/articles/everything-everywhere-all-at-once-return-of-the-king-most-awarded-movie

I didn't watch much of Wings, it may have played against something else. I remember watching WKRP with my dad as a kid. Both great shows.

Dawn was added to the show specifically to subvert that common trope. Oh… and also because Joss Wheadon wanted a tween girl on set.

They’ve been trying to make this for a long time. It was attached to Seth Macfarlane. I think he used to talk about it in interviews.

WKRP, Wings. Before these, the military shows were also "workplace" shows.

I did too. The last time this was discussed the general opinion was that she's primary disliked by the original viewers for whom the "annoying younger sibling" archetype hit too close to home.

How dare you forget about the Pizza Place. That's like talking about Zoe and forgetting about Duncan, Jack and Jane

The dominant sitcom up to about five years ago was The Big Bang Theory, which was a Friends knockoff. There was also How I Met Your Mother, which copied a lot from Friends. The dominant single camera show was Modern Family, which was certainly on the "hanging out" tree. And then there's Curb, where all Larry does is wander around.

I don't know, but sitcoms moved from "just hanging" to a more aggressive approach to comedy in the mid to late '90s - Seinfeld, Frasier, Friends. Shows naturally sped up as they went along even if they only briefly touched this period -- like Cheers. Arrested Development was one of the first to truly capitalise on this by moving at a quick clip, jam-packed with self-referential stuff. I far preferred the lazier early seasons of sitcoms pre-mid/late '90s.

Gazoo is in the top 10 greatest things about that show, and how dare you sully his name by connecting him with the Bewitched crossover... Which wasn't even that bad.

Cheers was seen as a workplace show, following on Taxi.

“Idk cast the latino as bam bam”

How do you count cheers?

Today you can still find stone age communities