Recent comments in /f/movies

Mech-Noir t1_jdhin1d wrote

>or you think when I said cyberpunk I meant Cyberpunk 2077 (which is also stupid, but not mind bogglingly so).

I referenced it because it was one of the largest video game releases in history and is heavily inspired by Blade Runner. So much so it includes several direct references to it. You can read about the origins of the IP here.

The rest of the Cyberpunk genre is of course also heavily influenced by Blade Runner. Clearly not niche or some "ghetto of science fiction". It's influence goes far beyond just that sub-genre as I already pointed out.

>“‘Blade Runner’ is simply one of those cinematic drugs, that when I first saw it, I never saw the world the same way again,” Oscar-winning filmmaker Guillermo del Toro told one interviewer, when describing why “Blade Runner” was one of his five favorite films of all-time.
>
>Del Toro wasn’t alone. For a whole generation of filmmakers — including the cinematographers, productions designers and visual effects artists — a direct line can be drawn between “Blade Runner” and the imagery of modern sci-fi movie.

I've provided ample evidence that flies in the face of your claims. At this point you're either actually this stupid or a troll. In which case it's pointless to consider further conversation.

If you aren't a troll, you'd do well to just admit when you're wrong.

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danielhol OP t1_jdh9l0i wrote

"You finding it boring says a lot about you and your ability to think about these things."

Okay, a few things here.

I said that she keeps the film morally in check and that without her, the film doesn't shine a light on the bad and illegal stuff going on in the world. If I didn't have the ability to think about these things, I wouldn't of made that point.

Secondly, I think it's naive to say that people don't know this sort of stuff goes down. I would take a guess and say that you are probably aware that a lot of shady shit goes on around the world. There's literally thousands of films, TV series, video games and books that touch on this subject in a number of different ways. And the reality is that this stuff does go down all over the world, there's bad guys, and bad guys to fight the bad guys.

And in terms of "I'm fine with it or don't want to think about it", I don't know how you can read my mind but no, I don't think that these things that happen in the world are morally right or justifiable under the guise of 'cool black ops shit', but I can however acknowledge that it goes on in terms of the films narrative. I don't really understand how you can say that to a stranger on the internet, I mean, are you doing anything in your life to think about and make changes on the subject of torture, the drug trade? If so, great, but I highly doubt it, so that's kind of a put your money where your mouth is statement to say to me that "I'M fine with it".

I agree that it is a morality tale, but sometimes you don't need someone to hold your hand throughout the film to state or constantly show you that what's going on is wrong or immoral. That's what frustrated me about Kate in the film, her consistently every ten minutes reminding the audience that what's going on isn't okay just felt like pandering at times. That's my only very small complaint about the film.

In the second film, I cannot fathom how anyone could watch the film and not think that you know what they're doing is illegal or immoral. The scene where Alejandro guns down that politician or lawyer in the street should immediately jump out at you. I mean, if you placed Kate or someone who had to play the role of the morality police in the second film, I highly doubt it would of been a better film.

And to be honest, the fact that Kate is defeated in the first film and there isn't someone in the second film doing the same thing speaks volumes more to me in terms of morality, because it shows that this is a constant revolving door in the world of endless violence and immoral acts and that there aren't enough morally "good" people like Kate who can get high enough (position wise) to stop these sorts of things from happening or make real change.

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Videowulff OP t1_jdh6h7w wrote

That final battle where she and her dad just basically stand in one place but she is always spinning snd swinging super slowly as they "fight"... like this is the epic showdown and he is supposed to be a vampire lord and he is jusy standing their lazily blocking.

And still almost beats her. Like...what...

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SanderStrugg t1_jdh60ro wrote

Seeing only a few clips of an Uwe Boll movie one might think, they could reach so bad it's good territory.

However his pacing is all over the place and those things just end up dragging. It's really weird how he manages to make a movie that is "sexy redhead vampire chick fights a lot of vampires" so boring instead of mindless fun.

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CharlieMoonMan OP t1_jdh1kux wrote

Damn. U are so right, but he also had a knack for getting along with "old Hollywood" on that show. A persona that would probably not play today. Especially compared to the softball "Hollywood Reporter" roundtable everyone fawns over now. In retrospect you a 100% correct, D4F was a genius move. Still its amazing he was able to get those big names on that tiny indy show like he did 20 years ago. He's got/had the perfect personality for it.

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V1DE0NASTY t1_jdh0k8v wrote

Right, DF5 was before Elf but he was well known. He vocalized a desire to be a legendary powerful mogul throughout the show. Part of his evolution was the show itself, as he broke bread with a lot of different people and famous friends on tv and could be seen by industry gatekeepers as a thoughtful and ambitious creative.

On Elf he spoke about how he based the first 40 minutes on Tootsie's scene lengths to copy that film's dynamic comedy pacing. So he's clever. The first Iron Man has the same methodical structure and rhythm; he knows how to build a story. I dont know if he's the only director who wouldve insisted on Downey but his unique indie/mainstream sensibility was decisive in creating Hollywood as we know it.

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