Recent comments in /f/books

CrazyCatLady108 t1_jcgsthq wrote

i think there are two conversations here. 1. is your opinion on the book valid if you do not belong to the target audience? and 2. how much is your like/dislike of the book based on you being the target audience?

  1. is your opinion valid if you are not the target audience? yes and no. you certainly have the right to an opinion. however, that opinion might be uniformed. for example, you think a certain book makes no sense, but it makes no sense to you because you do not get the references. someone form the target audience would get all the 80s trivia references and think it is great, or not but at the very least it would not be nonsense to them.

  2. you don't like the book, is it because you are not the target audience? there is a book i read recently that was very violent. i did not enjoy it, because of the violence and other reasons, but the target audience (some) said the book was very cathartic and while it was unnecessarily violent it scratched a certain itch. would i have enjoyed the book more if i was the target audience? maybe, but it is something i will never find out.

people's opinions on stuff are not gospel. yours should not be discounted because you do not belong to the target audience, but neither should you feel that your opinion is the only valid one.

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TheBSisReal t1_jcgqdju wrote

As with a lot of things: it depends. This definitely happens, but sometimes people really do miss the point about what makes something special. Call Me By Your Name is special because it’s a romance between two men where the story still somehow isn’t about that. I had someone dismiss the story (the film, but that doesn’t really matter) because “if it were a man and a woman, no one would bat an eye at this movie.” Sure, maybe, but that’s completely missing why people responded to this particular story. So in this example, the criticism really does come from just not understanding it, which may very well stem from the critic in this case being a straight man.

That doesn’t mean there aren’t valid criticisms that can be directed at CMBYN.

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yoongiscowgirl t1_jcgioec wrote

soa was my book of the year, even though it's only march. gonna be very hard for any other book to beat that spot tbh. it was just beautifully written and i agree the writing style was just it for me. i literally read soa in a day and then immediately reread it. im sad its over but im gonna read circe this year, and i wanna try to really complete the iliad (even tho ive tried and its HARD)

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IndyIndigo t1_jcgfr23 wrote

I am on the waitlist for SoA and waiting as patiently as I can. I picked up Circe after a friend recommended it. I couldn't believe how much i loved that book. It is so out of my normal genre and style. I read it. Then I read it again. Then I listened on audiobook. I hope you enjoy Circe as much as I did. I hope I enjoy SoA as much as you did!

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Additional_Fail_5270 t1_jcga81t wrote

I think sometimes people don't distinguish between subjective and objective criticism. So sometimes people subjectively don't like something and so they assume it has absolutely nothing to offer anyone. And then similarly sometimes something appeals to someone's subjective tastes and then they decide that anyone else looking at it MUST have the same reaction because any other reaction is somehow threatening to your ability to feel positively about it. So like, someone should be able to read a book, and it doesn't relate to them at all on any level, not one of their most exciting or stimulating reading experiences, but still acknowledge that it's well written. And vice versa, someone should be able to read a book and it blows their mind, is a window into their soul, changed their life, but still acknowledge yeah you know, issues here or there that might be more significant to a reader not having the same emotional response I am.
But you know, for a culture so obsessed with how complex identity is, we're not great at engaging with any kind of duality

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NebXan t1_jcg9u19 wrote

Exactly this. I'd hold up Chinua Achebe's Things Fall Apart as an example of a book that's especially impressive in this regard.

The ideas woven into the story are universally accessible, so anyone who reads it can "get" what it's about, and it accomplishes this while still remaining an authentic expression of the author's lived experiences.

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CrazyCatLady108 t1_jcg8e13 wrote

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crankygerbil t1_jcg6lbq wrote

I meant more along the feeling like the earth was under your feet. There was more attention to flora and fauna, more of it feeling posited in the real world.

I liked the book. I had never really placed close attention to Circe in mythology, didn't know she was the daughter of a Titan or a nymph.

After watching The Eternals, I now picture Circe as Sersi. :)

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JohnTaylorson OP t1_jcg5hoh wrote

That's a very good response, thank you. I get what you mean about if a book has resonated with a number of people it must be doing something right. I should have stressed- and might edit- in my original question is the importance of the fundamental writing itself- the structure, composition, language used, research of the subject matter etc rather than the plot itself. I suppose popularity itself if a win, if it gets people fired up about something.

That said, my comment regarding the greater importance of strong writing for books on 'worthy' subjects comes from a couple I've read that tackle tough, emotive, controversial subject matter, but are written so poorly and researched so badly all I can think is "these authors are charlatans who got cut a book deal purely because of the subject matter". To me this seems like the most shameless of scams and does not give the subject the justice it deserves.

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