Recent comments in /f/IAmA

thecritics001 OP t1_irakanp wrote

Yes there are so many other gods with different specialties in Yoruba mythology.

In this wiki page, the gods are listed and their abilities are explained : https://en.m.wikipedia.org/wiki/Yoruba_religion

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thecritics001 OP t1_ir9lgvh wrote

Yes it is common to mix both languages together. We have a language derivative of English called pidgin, it sounds like English if you listen closely but it’s broken. It’s spoken in other countries in West Africa.

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thecritics001 OP t1_ir9bsf7 wrote

Hello, just realized our reply to your comment came as a stand-alone so here you go.

Reply: Hello, thank you for the kind words, our major influences comes from the work of filmmakers like Nolan, Tarantino, Michael Bay, Alfonso Cuaron, J.J Abrams, Bong Joon Ho. For most of us on the team, our influences do not only just come from film.

Did you see the film? What are your thoughts?

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thecritics001 OP t1_ir9bg4r wrote

There’s a possibility of that happening, this is just one god out of a couple of other gods, we are looking at expanding this world and focusing on some other characters, it’s going to be interesting journey for us.

Finding these myths can be very hard even for us as Nigerians as there are little to no resources available on them. For this project we had to travel to a state (Ekiti State) to meet with people who worship these gods.

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thecritics001 OP t1_ir9bauv wrote

The actor who plays the son came for the audition of a previous project of ours so we had a relationship with him and after the casting call for this particular project didn’t provide us the actor we thought would be right for the role, our producer suggested him and that’s how he got the role.

The actress who plays the mother has no prior acting experience and is also a friend of our producer, after months of searching for an available actress, we settled for her and did a couple of rehearsals and made it work.

We are happy we did not disappoint haha, expect more African folklore from us 😀😀

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thecritics001 OP t1_ir8rybe wrote

We like to pride ourselves on the fact that our films look a certain way but we can't really tell as you know maybe seeing the footage a million times does something in our heads.

We do not honestly think there is a need to innovate for camera movements, like what other movement is possible in the PTR axis, at least we don't know that for now, but what we do know is that so much has been made in over 100 years of film and i believe its a shared space where one can take inspiration to approach each scene differently depending on the mood and the feeling that should be evoked from watching a particular scene in the film.

We do not honestly think there is a need to innovate for camera movements, like what other movement is possible in the PTR axis, at least we don't know that for now, but what we do know is that so much has been made in over 100 years of film and its a shared space where one can take inspiration to approach each scene differently depending on the mood and the feeling that should be evoked from watching a particular scene in the film.

Innovate might not be the word but we believe that the approach to filming certain scenes should be well thought out.

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thecritics001 OP t1_ir8r9p6 wrote

Hello, we think this is a great question. Yes, there's a ton of talent, for us hiring a film crew isn't an easy process as most of them are situated in Lagos, Nigeria and we are based in Kaduna, Nigeria (it's a 12 -13 hour journey by road and 1hr by air) where there are little to none of these specialists available. The good ones are very occupied too, we have resulted to taking most of these jobs ourselves until we can afford to bring in these specialists.

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thecritics001 OP t1_ir8qsc5 wrote

The most challenging things about the project came at each stage of the production.

During Pre-Production, it was figuring out how to approach some of the scenes in the film creatively, and finding our main cast as there are little to no actors and we could not afford the available ones.

In production we paused shooting for about 3 months to find the house that was perfect for some of the indoor scenes in the film, we eventually settled for an uncompleted building that was modified by our Production designer.

For Post-production, Visual effects were the most challenging aspect of making the film, as we wanted it to be very good.

We were working with the mantra "there should be no buts" and we really hope there isn't for the audience. haha

does this answer your question?

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